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Icône Shalom
  • Atelier
  • Galerie
    • Christ
    • Marie
    • Anges et Saints
    • Scènes
  • Commander
  • Contact
  • More
    • Atelier
    • Galerie
      • Christ
      • Marie
      • Anges et Saints
      • Scènes
    • Commander
    • Contact

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Icon Studio | Gallery | Order | Contact

Icon Studio Shalom

Wood Painting

Icons painted by Bernadette Gaudin

Contact Me

Welcome to the world of Icon Art

Historical background

The word icon comes from the Greek eikôn, meaning “image”. Icon art emerged with Christianity, at the moment when faith affirmed that God had become visible in Jesus Christ. Since Christ is understood as the image of the invisible God, his representation became possible. From the earliest centuries, icons developed in the Byzantine and Eastern world as a way to pass on the faith and to make the divine mystery present.

After long debates and the iconoclastic crises of the 8th and 9th centuries, the Eastern Church officially recognized the theological and liturgical value of images in 843. Iconography then spread widely, especially in the Byzantine and Russian worlds. The rediscovery of ancient icons in the 20th century revealed anew the strength and spiritual depth of this art.

Preparing the Panel 

Design Creation 

Applying the “Lights” with Pigments 

Finishing Touches, Writing the Icon’s Title 

Artistic and technical aspects

Painting an icon is not a form of free artistic creation in the modern sense. Icons are often said to be “written”, because they follow precise rules handed down through tradition. And yet, each icon is unique. After the wooden panel is primed, the design is created and drawn, followed by the application of gold leaf. Finally, the icon is painted by hand using the traditional egg tempera technique, in which the colors symbolically progress from darkness to light. 

The forms are stylized, the figures calm and peaceful, often shown facing the viewer. The perspective is reversed, the colors are full of meaning, and the materials—drawn from the animal, plant, and mineral worlds—become a praise of God for creation. The absence of realism and natural shadows is a conscious choice: the goal is not to imitate the visible world, but to reveal a transfigured reality, beyond what the human mind can fully grasp.

The iconographer does not seek self-expression or a personal interpretation of an event. Rather, the aim is to translate the words of the Gospel or the life of the person depicted into images, while remaining faithful to a shared visual language that invites contemplation.

Spiritual approach

An icon is above all an image of presence. Unlike an idol, which can trap and blind the eyes, an icon opens and illuminates the gaze: it invites us to see beyond the visible and to open ourselves to another reality. In the Eastern Christian tradition, an icon is often described as a “window onto the invisible”. It is not meant to be looked at passively, but to enter into a relationship with the person who contemplates it.

More than just a work of art, an icon is a prayer in color. It expresses the union of the divine and the human made possible through the Incarnation of Christ, and it invites each person on an inner journey. Timeless, it speaks to everyone and opens a space for silence, attention, and transformation. It creates a link between the visible and the invisible, the human and the divine.

Personally, I take care to pray for the person for whom the icon is intended, or for a special intention. I create the icon so that it carries its spiritual dimension and deep meaning to the one who will contemplate it.

Prayer of the Iconographer

"You, Divine Artist of all that exists,
and I, your friend,
enlighten and guide my soul,
my mind, and my heart.

Guide my hand
so that I may faithfully and perfectly depict
Your Image,  that of Your Mother,
and that of all the Saints,
for the glory, the joy,
and the enrichment of Your people.

My God, bless my humble efforts,
and may my work
serve to elevate my soul,
for the glory of Your Name."

The Dove, the Icon, and Shalom 

The dove holding an olive branch represents, for me, peace, hope, and the connection between the visible and the invisible, as well as the desire to foster dialogue and unity between cultures and beliefs.

The Hebrew word Shalom (peace) means far more than the absence of conflict. It evokes balance and harmony. Indeed, through the symbols of its Hebrew letters, Shalom expresses the equilibrium between fire and water—two forces that may seem opposed but are fulfilled in the dynamic of life. By welcoming this Shalom at the heart of ourselves, we can bring harmony to the world around us and let peace radiate outward.

Every icon I create can be seen as an expression of this Shalom—a space from which peace emanates through the play of light, colors, and gazes that reach the viewer, inviting each person to connect with inner and universal love.

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Icon Studio | Gallery | Order | Contact

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